Embodied Difference: Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World, edited by Richard H. Godden and Asa Simon Mittman
Call for Papers (Initial deadline, September 1)
Medieval and Early Modern art and literatures are replete with images of nonnormative bodies. Saints lives valorize physical challenges, fabliaux render them metaphorical, medical texts pathologize them, and marginal images make them subjects of amusement. Divergent bodies are viewed as gifts from God, markers of sin, or manifestations of medical imbalances. In many cases throughout Western history, a figure marked by what Rosemarie GarlandThomson has termed “the extraordinary body” is labeled a “monster.”
In this collection, we wish to take on the challenge of examining the intersection of the discourses of “disability” and “monstrosity.” Bringing these two themes together is a timely and necessary intervention in the current scholarly fields of Disability Studies and Monster Studies, especially in light of the pernicious history of defining people with distinctly nonnormative bodies or nonnormative cognition as monsters. This collection will explore the origins of this conflation, examine the problems and possibilities inherent in it, and cast both disability and monstrosity in the light of emergent, empowering discourse of posthumanism.
Irina Metzler has observed that in the Middle Ages there was no conception of the disabled as it would accord with modern notions of embodied difference. In looking for figures of the disabled and the deformed, scholars in medieval Disability Studies have often fallen back on monstrosity as an overlapping or even equivalent category. We are looking for essays that address the imbrications of monstrosity and disability in provocative and searching ways. We especially encourage essays that do not simply collapse these two categories, but rather look to interrogate the convergence and divergence of the monstrous and the impaired in the Middle Ages and Early Modern period. What is the effect of reading monsters as disabled and the disabled as monstrous? How does the coupling of these two Othered groups obscure important features? How does reading them together illuminate the social and cultural processes by which difference is constructed? How do the discourses of monstrosity and disability intersect with recent thinking on the posthuman? We invite essays from all disciplines and national traditions, and we welcome interdisciplinary, transtemporal and transcultural thinking, including medievalism.
We plan to include ten to twelve essays, framed by an introduction written by the editors and pair of brief codas written by prominent figures in Disability and Monster Studies. We invite essays based in the disciplines and discourses of medicine, literature, religion, art history, law, ethics, and on, that consider themes including visibility and invisibility, civilization and wildness, normativity and abnormality, vulnerability, processes, transformations, encounters, and enactments. Possible topics include, but are not limited to, “monstrous births”; “monstrous peoples”; “monstrous gender”; religious, social, and political otherness; physical, mental and cognitive difference; care and treatment of the disabled; disability, sin, and salvation; and positive, even celebratory depictions of disability.
Ohio State University Press has expressed interest in this volume.
Please send a 250 word abstract to Richard Godden (email@example.com) or Asa Simon Mittman (firstname.lastname@example.org), and feel free to contact us with queries, questions, and suggestions.
Author Biographies Richard H. Godden is a Postdoctoral Teaching Fellow at Tulane University, and has published in postmedieval and New Medieval Literatures. He is also coauthor with Jonathan Hsy of “Analytical Survey: Encountering Disability in the Middle Ages.” His current work focuses on the intersections between the political theology of the neighbor, temporality, and Disability Studies in medieval romance. He also works on the alliances between Digital Humanities and Disability Studies. He has presented numerous papers throughout the US on related subjects, and his research has been funded by the Newcomb College Institute, Tulane University, and Washington University. He is a founding member of the Grammar Rabble.
Asa Simon Mittman is Professor of Art History at California State University, Chico, and author of Maps and Monsters in Medieval England (2006; paperback 2008), coauthor with Susan Kim of Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript (2013, awarded a Millard Meiss Publication Grant from the College Art Association), and author and coauthor of 22 articles and chapters on monstrosity and marginality in the Middle Ages, including most recently pieces on Satan in the Junius 11 manuscript (Gesta, with Kim) and “race” in the Middle Ages (postmedieval), in addition to several works in press and in progress. He edited the Research Companion to Monsters and the Monstrous (with editorial assistance by with Peter Dendle, 2012; paperback 2013), and is codirector of Virtual Mappa, an interface to allow searching and linking among medieval maps and geographical texts, due to launch this fall. Mittman’s research has been supported by the College Art Association, the International Center of Medieval Art, the Samuel H. Kress Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Humanities, as well as grants from Arizona State University and Chico State. He edits book series with Boydell and Brill, and is the founding president of MEARCSTAPA and a founding member of the Material Collective.